Showing posts with label Lightplay. Show all posts
Showing posts with label Lightplay. Show all posts

Thursday, November 27, 2008

De-emphasizing a Busy Background

Sometimes an images background is just so distracting that it makes the image unusable. Of course there are the more extreme solutions to this such as cutting out the background altogether but in the case of this bittersweet pictured right, removing the background is for practical purposes impossible because the berries are so numerous that they can't be selected out.

Well here's one way to make the background less busy in order to emphasize the central focus of the image. Using almost any good image software you remove the color entirely and then using a history brush return only the central colors to the image - or create multiple layers of saturation that achieve similar results.

Since I often prefer a more "tonal" background, I will often take an extra step and add in a single tone to make a duotone background.

Below you will see two images representing the end result of this process. The first with no color added back into the background and the second with a very muted level of color added back in. I prefer the second, but you may find the first more appealing. In either case, you are likely to agree that it makes the image more enjoyable to view.

Bittersweet Vertical 1



Bittersweet Vertical 2


Order Bittersweet Vertical #2 cards or prints

Tuesday, November 25, 2008

Hidden Color in Muted Seasons



Color is where you find it - or where you create it. Even in the more muted seasons on the shoulder of fall/winter or winter/spring it can be found in some pretty unexpected places and the results can be much more than you would expect at first blush.

The two images shown here, "Birch Tangle" and "Dogwood Dance" barely show the trees t
hemselves and focus instead on the tangle of branches and the few remaining leaves. The blue of the sky and the soft focus whites of other birches in the background give this image the effect of a painting whose power is derived not from the subject but from the interplay of color and form within the final composition. 

While both are "straight" photographs, with no manipulation at all, each, nevertheless, has a feel of something more than a photo to it. 





Monday, November 24, 2008

Friday, November 21, 2008

Goose Rocks Mindscape

Don't trust anything your eyes see in this image of a rock formation along the seacoast of NH and Maine.

Wednesday, November 19, 2008

The Cornice


This image is taken high in the Rockies near the continental divide where we were snowboarding in the back country. The original image was treated with a watercolor filter in addition to changes in the brightness, contrast and saturation.

Monday, November 10, 2008

Timing is Everything in Photography


On a recent visit to the New England Aquarium in Boston there was an exhibit on Jellyfish. I was intrigued by the beauty of these sea creatures and could have taken hundreds of images of nothing more than the forms created by their undulating movement but as I stood there I realized that there might be an interesting image presented if I waited patiently as adults and children passed by on the other side of the tank from me. I was right. After about 15 minutes a young child came up to the tank and reached up with both hands toward the jellyfish.

The hands of the child we already distorted somewhat by the water and tank between us, I emphasized the distortion a bit more, keeping the jellyfish image itself sharp and clear.




Sunday, November 9, 2008

An Adventure in the "Golden Season" Part II


This is part two of a two part series. Click here to go to part one.

At the southern end of the bog I found some cattails that added a new element to the images, although the dead trees that were between the cattails and the larches are a bit of a distraction.



Original image: Cattails and Larches Franconia Bog, 
October 2008, Image by Wayne King






Cattails and Larches Mindscape #1




Changing from a horizontal image to a vertical image does make the dead trees a more integral part of the image but the loss of other interesting elements make the total image less appealing and while I show the image here for your edification, it did not survive the cut and I do not offer this image as a finished work of art - believing that it is just not up to the standards of the other images in the series.




The final piece represents the most highly manipulated image within the series. While I am fond of the image and feel that it holds together with the others in the series, I don't feel that it stand above them.

The original image is probably the least interesting among all of the images chosen to use from the group taken. Still, the scene was breathtakingly beautiful from almost any angle.

The resulting image is entitled Lone Tamarack Mindscape.







Lone Tamarack Mindscape


Saturday, November 8, 2008

Light + Imagination = A Better Image


The difference between a snapshot and a photographic image in which you can take artistic pride often lies - not in front of you, but between your ears.

Look around; think through your image; and then, think ahead to whatever creative process you employ after the shooting is over. There are often dozens of directions for you to go that take your image from mundane to magnificent.

Today we'll take a look at using the flowers in this bud vase to create several unique images.

For some the mere sight of God's creation to the right is sufficiently beautiful that nothing more need be said. If that's the case for you, and you are satisfied with something like the snapshot at right - more power to you. You need not read on. 

However, don't expect to walk into a gallery with a framed image like this and be greeted as the next coming of Edward Weston. 

Now, don't get me wrong. There is, of course, a place for images like this. A shop that leans more to the crafts rather than the arts, may be very happy to take this image on consignment. The colors might be exactly right for a piece that a decorator is looking for to add a splash of color to the wall in that ski condo he's been hired to decorate. Pieces like these are quite marketable but they should not be seen - or priced - as art.

Art is created when you take the image to the next level. So lets look at a few ways that this bud vase of flowers can be used to create a piece that the gallery might say yes to.

On the day that I took the photo above, I was visiting a friends apartment. Light was streaming through the window of the kitchen onto the floor and the table at which I sat was shaded by the wall. With permission, I began by moving the table into the light and taking advantage of the arc of the chair's back to add an additional form element to the image.

The first creative image thus combines several new elements to make the flowers important but not singularly important. Instead we employ color, light and form within the context of the image.




After photographing the flower still in the bud vase, I then, with permission, removed the flower heads and placed them on the table - first with nothing else and then later with a glass of wine I had been sipping on. I photographed them in a number of ways but the two images below are my preferred images among many. 








Fowerheads and Wine Glass


These images, in my opinion, do not cry out for further embellishment and, in fact, I offer all three for sale in select galleries. However, I did play around with them a bit to create two different Mindscape images that you will see below. The second being nothing less than an accident that I found to be interesting nonetheless. 




Flowerhead Mindscape 1





 

Floating Flowerhead Mindscape

Thursday, November 6, 2008

Wonalancet Mindscape



Yesterday I wrote about and showed an image of the Wonalancet Chapel in Tamworth NH with the promise that today I would show how it was used to create a unique "Mindscape" image of the scene.

The chapel is found along a quiet stretch of road in Tamworth that runs parallel to a range of mountains that include Mt. Chocorua and Whiteface Mountain. To show the majesty of the range one needs to be far enough away to capture at least some of the mountains. However, in order to do that, the image of the church at the base becomes so small as to be completely indistinguishable. To create the Wonalancet Mindscape I carefully copied the church from the image above and pasted it into the proper place in the larger landscape image. In reality the church is probably 30 times its actual size - relative to the mountains. However, when viewed as a whole, you would not be able to distinguish this without a careful analysis. The result is an image that is true to the beauty of the scene but even more dramatic than a simple photo could ever be.














Wednesday, November 5, 2008

The Magic of Light


It may seem redundant to talk about the importance of light to creating emotional appeal in a photograph. After all, photography is all about light. But how the light is used is what distinguishes between a good photo and an extraordinary one. For example any one of the three major elements in the image, below, without the others would not have the emotional impact. Add in either the stream of light or the smaller window and the image would be stonger, but the juxtaposition of the large and small light sources and the spreading light across the rich wood floor makes the sum of the whole even stronger.

The juxtaposition of the large and small light sources 
make this image more interesting than the simple - yet 
still interesting - image of the window and its spreading light.


Other Approaches Using the Same Subject
Light and form and the juxtaposition of these themes are the principle aspects of the image above; though color is also arguably an important aspect of the image from the warm browns in the floor to the cooler blues and greens of the window light.

But how else could the same subject be utilized to create a different work of art that embraced other virtues or at least emphasized other aspects? The two images below provide some insight into this. These images were created using the very same arch window - making it the singular form within the image. To capture a different vision, the subject remained essentially the same, while the composition and treatment of the image was changed.

The images below provide two different compositional view of the subject. Each was then converted to a black and white image, printed on watercolor paper and painted using watercolors to provide two unique pieces that were then scanned to created an archived image.



Arched window with pink curtain




Arched Window with blue curtain, this image places 
less emphasis on the negative space.

Each image stands alone as an individual work of art, despite the fact that the original photographs were all captured in a period of about 30 minutes.

Monday, November 3, 2008

Purchase Beech Hill Pond Mindscape



Beech Hill Pond Mindscape



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Beech Hill Pond Original
If you are more of a traditionalist. The original image
of the Beech Hill Pond is available below.



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Arch Window #3

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Arch Window #2


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Arch Window #3



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Saturday, November 1, 2008

Lone Tamarack Mindscape




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Purchase Cattails & Larches Mindscape #1




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Purchase Flowerheads



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Purchase Table Flowers in Window Light





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Table Flowers

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Flowerheads

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Fowerheads and Wine Glass

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Flowerhead Mindscape 1

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Floating Flowerhead Mindscape
 
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Mindscapes Gallery

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